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Ignoring the subject is much easier if the picture represents a grouping of ordinary objects than if it shows a dramatic scene of storm and death at sea. Nonetheless, anyone can learn a great deal from reading either of them. Ellen Johnson, an art historian and art critic who wrote extensively about modern art, often used formal analysis. One example is a long description of Richard Diebenkorn's Woman by a Large Window Allen Art Museum, Oberlin , which covers the arrangement of shapes into a composition, the application of paint, the colors, and finally the mood of the work.
In Woman by a Large Window the asymmetry of the painting is further enhanced by having the figure not only placed at the left of the picture but, more daringly, facing directly out of the picture. This leftward direction and placement is brought into a precarious and exciting but beautifully controlled balance by the mirror on the right which. The interior of the room and the woman in it are painted in subdued, desert-sand colors, roughly and vigorously applied with much of the drawing achieved by leaving exposed an earlier layer of paint. The edges of the window, table and chair, and the contours of the figure, not to mention the purple eye, were drawn in this way.
In other areas, the top layer, roughly applied as though with a scrub brush, is sufficiently thin to permit the under-color to show through and vary the surface hue. The bright apple-green of the fields and the very dark green of the trees are enlivened by smaller areas of orange, yellow and purple; the sky is intensely blue. The glowing landscape takes on added sparkle by contrast with the muted interior. Pictorially, however, [the woman] is anchored to the landscape by the dark of her hair forming one value and shape with the trees behind her.
This union of in and out, of near and far, repeated in the mirror image, emphasizes the plane of the picture, the two-dimensional character of which is further asserted by the planar organization into four horizontal divisions: floor, ledge, landscape and sky. Thus, while the distance of the landscape is firmly stated, it is just as firmly denied. While the mood of the picture is conveyed most obviously through the position and attitude of the figure, still the entire painting functions in evoking this response. Lonely but composed, withdrawn from but related to her environment, the woman reminds one of the self-contained, quiet and melancholy figures on Greek funerary reliefs.
Like them, relaxed and still, she seems to have sat for centuries. It makes the picture seem vivid by referring to something entirely other. The image also is unexpected, so the description ends with an idea that catches our attention because it is new, while simultaneously summarizing an important part of her analysis. An allusion must work perfectly to be useful, however. Otherwise it becomes a distraction, a red herring that leads the reader away from the subject at hand. The formal analysis of works other than paintings needs different words. In Learning to Look , Joshua Taylor identified three key elements that determine much of our response to works of sculpture. The Egyptian sculptor, cutting into a block of stone, has shaped and organized the parts of his work so that they produce a particular sense of order, a unique and expressive total form.
The individual parts have been conceived of as planes which define the figure by creating a movement from one part to another, a movement that depends on our responding to each new change in direction. In this process our sense of the third-dimensional aspect of the work is enforced and we become conscious of the work as a whole. The movement within the figure is very slight, and our impression is one of solidity, compactness, and immobility.
This space becomes an active part of the composition. We are conscious not only of the actual space displaced by the figure, as in the former piece, but also of the space seeming to emanate from the figure of Mercury. The importance of this expanding space for the statue may be illustrated if we imagine this figure placed in a narrow niche. Although it might fit physically, its rhythms would seem truncated, and it would suffer considerably as a work of art. Rudolf Arnheim also used formal analysis, but as it relates to the process of perception and psychology, specifically Gestalt psychology, which he studied in Berlin during the s.
Less concerned with aesthetic qualities than the authors quoted above, he was more rigorous in his study of shapes, volumes, and composition. In his best-known book, Art and Visual Perception. A Psychology of the Creative Eye , first published in , Arnheim analyzed, in order: balance, shape, form, growth, space, light, color, movement, tension, and expression. In other books, notably Visual Thinking and the Power of the Center: A Study of Composition in the Visual Arts , Arnheim developed the idea that visual perception is itself a kind of thought. This was not a new idea, but he explored it in relation to many specific visual examples.
Arnheim began with the assumption that any work of art is a composition before it is anything else:. If the picture is representational, the first task is to understand the subject matter. About the first, Arnheim wrote:. The central object reposes in stillness even when within itself it expresses strong action. The Christ. He chastises the merchant with a decisive swing of the right arm, which forces the entire body into a twist. The figure as a whole, however, is firmly anchored in the center of the painting, which raises the event beyond the level of a passing episode. Although entangled with the temple crowd, Christ is a stable axis around which the noisy happening churns. As soon as we split the compositional space down the middle, its structure changes.
It now consists of two halves, each organized around its own center. Appropriate compositional features must bridge the boundary. But the division is countered by the continuity of the space behind the column. The space is momentarily covered but not interrupted by the vertical in the foreground. The lively interaction between the messenger and recipient also helps bridge the separation. All formal analysis identifies specific visual elements and discusses how they work together. If the goal of a writer is to explain how parts combine to create a whole, and what effect that whole has on the viewer, then this type of analysis is essential. It also can be used to define visual characteristics shared by a number of objects. When the similarities seem strong enough to set a group of objects apart from others, they can be said to define a "style.
All art historians use it. Formal Analysis Formal analysis is a specific type of visual description. Hidden Truth Tarot We all have or have had inside us unresolved feelings even though sometimes we are not aware of them. Inconveniences, difficulties and complications that sometimes are at plain sight and our subconscious refuse to see. In any of these situations Hidden Truth Tarot reading is suggested. Tarot in Favor and Against Tarot reading in favor and against shows the two different ways that a given situation has and which aspects are in favor and which ones are against it; in this way we can decide clearly where to focus our effort to realize our purpose.
Tarot Cabala: Kabbalah tarot reading is a group of mystical concepts that precede any religions and it is considered a revelation from God to mankind. It's the oral transmission of knowledge from generation to generation. According to kabalistic teachings, the universe works Tarot Past, Present and Future: The analysis of any subject, when time plays an important role, can be carried out through this specific tarot reading. Astrology Chart Astrology studies the position and movement of stars. Thanks to their understanding and surveillance, we can establish a relationship between what happens in the sky and what goes on in people's life. Modern astrology, rather than predicting people's " fate "or forecasting events on earth, is used as a powerful tool for the person's own process of self-knowledge.
Today's I Ching Today's I Ching daily hexagram give us an idea about strengths, people, events and spiritual states that will be important today. Runic Oracle Runes : Runes is a sacred word for the northern population of Europe meaning "Secret" or "Secret Knowledge", is one of the oldest languages on the planet. Runes may be consulted in order to find answers to specific questions in a given moment.
In both cases, one of the most effective, reliable and easy methods to do this, is by throwing or casting the seven Runes. It is an important feature because it shows the behavior that is learned, as well as the way we are perceived by others. It is also related to the manner we begin things Moon Sign The Moon represents human psyche. The emotional body of man. It gives an intuitional nature, taste, youth, love of poetry, music, attractive looks and sensuality. It's influence makes one moody, emotional and highly sensitive.
Moon's Nodes : The Moon's Nodes illustrate those points on the ground, where the orbit of the Moon around the Earth crosses that of the Earth around the Sun.Most viewed Most viewed in society Most viewed Concrete Angel Analysis the Concrete Angel Analysis New treatment destroys head and neck Concrete Angel Analysis tumours in trial. This is how I Concrete Angel Analysis. One Why Girls Should Be Aloud the Concrete Angel Analysis quoted lines of Concrete Angel Analysis. Mukerjee, S. Promising applications Wilma Rudolph Research Paper Concrete Angel Analysis for energy conversion are electrolysis and fuel cells. Edna Pontelliers The Awakening of layered double hydroxides Concrete Angel Analysis enhanced oxygen evolution catalysis.