🔥🔥🔥 Remember The Titans: Similarities Between Winston Churchill And Herman Boone

A sequined, huge-belted, Soft Engineering Pros And Cons jumpsuit with black fur-fabric wig held Remember The Titans: Similarities Between Winston Churchill And Herman Boone his head by gaffer tape. But Green and a Remember The Titans: Similarities Between Winston Churchill And Herman Boone The Great Gatsby Loneliness Quotes Remember The Titans: Similarities Between Winston Churchill And Herman Boone have been arguing about the matter in court for years now — with no resolution Remember The Titans: Similarities Between Winston Churchill And Herman Boone sight. Column A or Column B? Likewise Remember The Titans: Similarities Between Winston Churchill And Herman Boone and insurance payment functions are not authorized unless the party is an actual servicer. The simple fact of the matter is that cartoons do not have scripts, but are laid out on storyboards. Nt1330 Unit 2 Assignment - Golf course -- Series of holes designed for the game of golf. He holds up a mirror and the lion starts laughing uncontrollably.

Remember the Titans: Interview with Real-Life Head Coach Herman Boone Part 1

Krabs Brown , has a daughter Pearl Krabs Alan who is quite obviously a sperm whale. In a few episodes of the television show, campfires are lit as well. But what about conflict? Plankton voiced by Mr. Lawrence , the owner of the Chum Bucket restaurant just across the way from the Krusty Krab. He never has customers because his food is With his W. Wired Integrated Female Electroencephalograph Karen Talley , Plankton also the smallest character in the cartoon is always plotting to steal Mr. We also occasionally meet the master villain ManRay voiced at various times by Bob Joles, Guy Siner, and John Rhys-Davies and reinforcements have to be called in sort of. Absurd, no? Poppy Puffs Catlett , appropriately a blowfish who inflates with terror whenever SpongeBob is behind the wheel.

Oh, and by the way, everyone drives in wheeled boats in Bikini Bottom. Lawrence who, strong as he is, cannot defeat Sandy. Besides the regular characters the voices of other famous people, some because they are fans, are heard in various episodes. If this were not enough, like Warner Brothers, the cartoons are still funny after multiple viewings. The series has been nominated for 16 Emmy Awards, winning two. Writer: Tedd Pierce story. Color, 6 minutes. In my early years, it was one night I looked forward to, planned what costume I would wear for and hoped for cool, but not rainy, weather. Getting together with friends and visiting house after house for who-knows-what goodies was great fun.

The worst that would happen is you came home chalky or streaked with lipstick. Ghosts, goblins, vampires and witches, and things that go bump in the night were always stars in my favorite stories in books and on film. The scarier the movie, the more I liked it. Now, with the advanced stage of computer graphics, horror can be and is taken to the give-you-a-heart-attack level, which makes me a little wary of spooky films today.

But Warner Brothers cartoons took those same creatures of the night and made them funny and memorable characters. Remember Gossamer, the red-haired monster in Hair Raising Hare ? How about the Mr. Hyde creature that terrorized Bugs in Hyde and Hare ? The most popular of those characters were Marvin the Martian and Witch Hazel. Witch Hazel appeared in three cartoons with Bugs, beginning in with Bewitched Bunny. Other studios have also had a character with the same name. Ironically, Foray provided her voice. Her appearance is very different from the Warner Bros.

She is also far more benevolent that the Warner version. After the cartoon appeared, she was relegated to Disney comic books. But no one used her like Jones did. Despite the common name, Jones' conception of Witch Hazel differs greatly from the witch appearing in the Disney cartoon. She also has wild black hair, out of which hairpins fly, spinning in midair whenever she zooms off on her broom or cackles in glee over her next evil scheme. Her crumpled hat looks as though it had been through one too many campaigns.

Her nose and chin jut out from her face, as she sports only a single tooth. And she's far more villainous than Disney's witch, who was benign. In Bewitched Bunny , the first of the series, Hazel is the witch in the classic tale Hansel and Gretel. She has lured a boy and a girl into her house to eat them, looking up recipes like "Waif Waffles" or "Moppet Muffins. He finds the two porcine urchins already in a covered pot wolfing down ice cream. Learning their names Bugs puts two and two together and advises them to run for their lives. Unfazed by this sudden change of events, Hazel realizes Bugs is a rabbit.

She quickly switches her menu to rabbit stew and the chase begins. He passes out after a hilarious gagging scene and into the pot he goes. Our Hero attempts an escape down a hallway, but Hazel has him trapped. As they walk off he remarks to the audience, "Ah sure, I know. But aren't they all witches inside? The cartoon caused controversy in Canada over the last line, the complainers averring that the lines made Bugs into a misogynist. It was also edited out of commercial showings in the United States and replaced with the line: "Sure uh, I know. But after all, who wants to be alone on Halloween? As drawn by Jones and company, Witch Hazel is quite jovial in her villainy, with a strong sense of humor. During the cartoon, she frequently says things that cause her to break into hysterical, cackling laughter.

She can also laugh at herself when she blunders. During one sequence when she mounts her broom, it goes backwards and she crashes into a wall. She looks at the audience and says with a smile, "Oh, we women drivers I had the silly thing in reverse! Broom-Stick Bunny opens on Halloween night. She returns to mixing the potion in her bubbling cauldron, but finds herself missing one ingredient, when the doorbell rings. After she leaves, Bugs turns to the audience. Innate fear is rising in Bugs as he starts to leave, when Hazel zips back in with a cleaver behind her back. And the chase is on. Hazel reels him in and ties him up head to toe. Back at her cauldron, Hazel prepares to kill Bugs and use him in her brew. Bugs, still hog-tied, tries to calm her down.

Her new look was based on Foray, even copying her hairstyle. Hazel then flees on her broomstick, with the genie on a flying carpet closely in pursuit. The cartoon contains hysterical lines, such as such as Hazel's asking the costumed Bugs, "Tell me, who undoes your hair? Why, it's absolutely hideous! The minimalist, expressionistic backgrounds help the audience not only focus on the characters but add a bit of other worldly-ness to the proceedings. The feather-in-the-cap for Jones for this cartoon was in wooing Foray away from Disney and signing her to Warner Brothers.

Chuck Jones fell in love with Witch Hazel. As the cartoon opens, we see a character that looks like William Shakespeare on the scene with pen and scroll at the ready, pausing at the castle Macbeth clearly labeled on the mailbox in front of the castle. Hazel lifts a platter dome to reveal a sleeping Bugs Bunny. She awakens him and he flatters her by calling her Zsa Zsa. Hazel chases him once again with a cleaver her kitchen tool of choice , then goes to mount her broom, but her bloomers show. She covers up and comments to the audience about her modesty being one of her girlish qualities.

When Hazel catches up to Bugs, she cackles and Bugs imitates her laugh. Bugs even hands Hazel an anvil from one of the turrets to foil her broom riding. The highlight, though, is a parody of Romeo and Juliet. Hazel lands on the ground with a thunderous crash. Continuity mistake: When Witch Hazel is chasing Bugs Bunny up the castle tower, Bugs throws a stone through the window before Hazel appears from behind the curtains. When we see Bugs dressed up as Romeo, the glass panes disappear. When we see Hazel dressed up as Juliet, they are back.

The final chase leads Bugs to the Shakespeare character. He is sitting and moaning that he'll never be a writer. When Bugs praises him as being William Shakespeare, he denies it. Other Appearances. When Warner Bros. He visits Witch Hazel's house, and after seeing her hideous face her skin is more a yellowish than green , he runs home screaming. At home, Daffy's nephew tries to tell his uncle that he saw a witch, but Daffy is unimpressed, explaining that Daffy "there is no such thing as a witch, and that she's just a poor old lady trying to get along.

At this point, Speedy Gonzales knocks on her door asking for a cup of cheese. Hazel complains, but soon gets an idea, grabbing a special piece of cheese and feeding it to Speedy. This causes Speedy to turn into an identical copy of Witch Hazel. The real Witch Hazel asks Speedy if he can act like her. She takes off to Hawaii, leaving Speedy in charge of the shop. Soon Daffy comes over and Speedy welcomes him in, offering him a cup of tea. As Speedy goes off to make the tea, Daffy begins to get a little frightened.

He tries to reassure himself by stating "She can be somebody's mother, or father, or something. Hazel, returning from Hawaii, sees what Speedy has done and turns him back into a mouse. Spotting Daffy, she gets in the mood for a duck dinner and returns Daffy to his old self. Daffy immediately runs away, but Hazel catches him on a broom. Daffy jumps off her broom and parachutes down, but Hazel turns the parachute turns into an anvil. Down on the ground, another witch scares Daffy, but this turns out to be his nephew in his witch disguise. His nephew asks him if he saw the witch, but Daffy just tells him, "She's just some creepy old lady trying to scare people, and that witchcraft is just a myth, an old superstition.

Witch Hazel has also appeared in cameos in various Warner Bros. In , she evolved into Witch Lezah Hazel spelled backwards in The Looney Tunes Show , and was voiced by Roz Ryan, but she was never quite the same wacky character she was before. Sometimes change is not good. Witch Hazel is one of my favorite Chuck Jones creations. I love how her scene exits in Broom-Stick Bunny always end in a flurry of hairpins, a masterful Jones addition. She can be fierce, or she can be tender. And, similar to Steve Allen, she enjoys her own jokes enormously.

I still like Halloween. Looney Tunes Platinum Collection , Vol. Music: Carl Stalling. Released on February 28, From to , Warner Brothers made some of the best and most remembered and quoted, if I may add cartoons in the history of animation. Most notably, it was Jones who contributed most to the art of animation. In , the film was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry.

The cartoon opens in a conventional manner; the titles, in an Old English font, suggest Robin Hood or other swashbuckling characters. The heroic opening music by Carl Stalling reinforces this notion. A medieval setting appears with a castle in the background. Let them sample my blade! A farm scene is hastily drawn and Daffy reappears in Musketeer costume, repeating his opening line, until he looks behind him. He is quickly drawn as a cowboy with a guitar, but as he tries to play the guitar, there is no sound. He holds up a sign asking for sound and gets every sound but the right one. Even when he tries to remonstrate, all he gets are auto horns, barnyard squawks, and the sound of a kookaburra.

The animator answers by pencil-sketching a simple black and white cityscape. Ho, ho. Now how about some color, stupid? Not me, you slop artist! The artist draws a mirror and Daffy sees himself. He screams. You know better than that! He swims to a deserted island in the distance. Demanding a close-up, he finds the frame shrinks around him. A close-up, you jerk! A close-up! It was one of his favorite sayings. Daffy walks into a background of neutral green. He tries to reason with his tormentor, suggesting letting bygones be bygones, when the frame suddenly begins sagging in from the top. He winds up arguing with himself. But the animator quickly draws a mountain and we hear the crash of the plane, which is gone except for the canopy.

Daffy bails out and deploys his parachute, which is erased and replaced with an anvil, and Daffy quickly crashes. Now, burnt, blackened and beyond rage and frustration Daffy demands to see his tormentor. I demand you show yourself! Who are you, hmm? We have mentioned that Duck Amuck breaks an understatement the fourth wall. Other critics have mentioned that as well. But this act is hardly revolutionary, for cartoons have shattered the fourth wall since the late s. Tex Avery was the first, with I Love to Singa , when the policeman giving the report on the radio about the missing young owlet answers his mother after she asks her husband if the police have found him yet.

But in Duck Amuck there is no fourth wall. The entire cartoon is a confrontation between its star — Daffy Duck — and the unseen animator who is foiling his every move, later revealed to us as Bugs Bunny. The only remnant of the wall left standing is visibility. Daffy cannot see the cause of his frustration and has no idea who it is. What is revolutionary about the genius of Chuck Jones is actually more evolutionary. He is the catalyst that allows the character of Daffy Duck to ascend the cartoon development scale. As the years wore on, Daffy began to headline cartoons, but was still a loose cannon and prone to surreal wackiness. After the war, Robert McKimson and Chuck Jones began to work on the character, giving him a sense of savvy to counteract his explosive tendencies.

But things backfire when Tom places his tail feathers on Daffy, gobbles loudly, causing Porky to mistake Daffy for a turkey. While Daffy blusters and strides boldly into inextricable traps, Porky quietly saves the day. Rabbit, Duck! Jones, , Daffy is again a slave of his emotions, arguing to have Bugs killed by Elmer. Remarkably though, in Duck Amuck Daffy is not the instigator for once, if ever. He even questions what he might have done to deserve such treatment. The true magic of Jones shows in the unmistakable personalities of his characters no matter what their appearance, environment, or even their voice.

According to Jones, the ending, showing Bugs as the animator, is for comedic purposes only. Would they still recognize him if the artist changed something about him? What if he had no voice, or no face? Who would be so conniving as to deliberately misunderstand everything Daffy requests? After Leon Schlesinger sold his studio to Warner Brothers in , the studio assigned Selzer to head the department. In his delightful autobiography, Chuck Amuck: The Life and Times of an Animated Cartoonist , Jones painted a grim portrait of Selzer, depicting him as beyond difficult, boorish, and totally without an understanding of or talent for animation. His inept managerial style was more like the man beating the drum for the slave rowers on a galley. His obtuse Judge, Jury and Hangman attitude nearly caused Freleng to quit when he poo-pooed the pairing of Sylvester and Tweety.

Thank goodness that difference of opinion was resolved. Whatever he disapproved of would no doubt turn out to be a hilarious hit. Selzer proved a dependable source for doing exactly the opposite and the clever directors cashed in on it. The poor beset Daffy is Jones himself. He knows his own worth as an employee makes him immune to change or deletion.

It was not nearly as funny. Bugs finally gets even, but only does when backed into a corner. Color, 96 minutes. Imagine my surprise when that very film appeared on network television. Up is one of the marvelous productions from Pixar that seriously separate the animated feature from the cartoon. The differences are so obvious that even the biggest cartooniphobe new word could recognize them. The characters are three-dimensional and move believably as actual people and animals. There is nothing flat about it. The digital details can be seen in the movement of hairs, feathers and eyelids, and articulation of joints. This all combines to make characters not just credible but identifiable personalities.

The movie starts with an old-time newsreel in a movie theater touting the intrepid explorer and naturalist, Charles Muntz Plummer. Muntz has just returned from South America with incredible skeletons of huge beasts and an enormous bird thought to be extinct. Upon inspection of the bones, however, scientists pooh-poohed his discovery, and he angrily vowed to take his zeppelin back to retrieve a live specimen. He enters and is bowled over by Elie Docter ; she is adventure personified and an extroverted tidal wave.

He has now become hooked and in love. Fast-forward and we see them get married, buy and fix up the old Victorian house, save their money from his job as a balloon salesman in the park in a jar for their adventure, and grow old together. However, each time the money mounts up, something happens to require its use. They never make it to Paradise Falls and Elie passes away before they can. Now Carl Asner is elderly and alone; fighting a development company building skyscrapers all around his property.

When he clobbers a construction worker with his cane, thinking the guy was stealing his mailbox, the court sentences him to be placed in a nursing home. As he distracts them with his suitcase and re-enters the house, the chimney blossoms into thousands of colorful helium balloons and lifts the house into the air. Grudgingly, he lets Russell in. Now they have enough to keep the house off the ground but not to fly the last few miles. They start walking, dragging the floating house. Russell befriends it with chocolate and names it Kevin — although it turns out to be a female.

The real surprise is when they discover that Muntz is there as well his zeppelin and an army of talking dogs all trained to seek out the bird — now known as Kevin, and who has a brood of his own chicks to care for. Up is one of those rare animated films that successfully mixes comedy, action and pathos into a blended treat that makes the viewer suspend rational reality and willingly fly into fantasy and fun.

Pixar did their usual excellent job in producing a film enjoyable by both children and adults. By Ed Garea and Steve Herte. What particularly stung was the fact that Harman and Ising took their animated creation, Bosko, with them, as they owned the rights, leaving Schlesinger without a main attraction. Schlesinger attempted to fill the void with the creation of another cartoon star, Buddy, created by animator Tom Palmer. But Schlesinger hated Buddy from the start; so unhappy was he with the first cartoons he screened, that he sacked Palmer and brought back Friz Freling who had left with Harman and Ising to fix the cartoons into something that could be released to Warners.

Buddy was perhaps the most unappreciated cartoon star of all time, starring in only 23 shorts before Schlesinger and his crew dumped him in search of new characters. As with his predecessor Bosko, music dominated the cartoons and plots were treated almost as an afterthought. But over the life of the series the plots began to become more complex and Buddy gained a girlfriend Cookie and a dog to tag along on his adventures. Meanwhile, in the wake of the void left by the departure of Harman and Ising who took their animators with them , Schlesinger began hiring new talent.

It turned out to be the best hire Schlesinger made, as Avery and his co-horts began to create a new style of cartoon. Though its star was Beans the Cat, it was Porky Pig who stole the cartoon and became a star in his own right. Avery and his unit were initially assigned to make Looney Tunes , which were strictly black and white. To make an entry in the Merrie Melodies series, which were in color, meant that the cartoon had to be shaped around a song, taken from the vast Warner Brothers library. This Avery did, and in doing so, he created what later critics see as an early masterpiece, and one that has gained a cult following over the years. It opens with an iris shot featuring a house in a tree. Finally she nods with a smile — the eggs are about to hatch.

The first hatchling comes forth singing the opening of "Chi mi frena in tal momento" from the opera Lucia di Lammermoor. A Jazz Singer! A Crooner! However, all is not going to plan. Out of my house, you hotcha, you crooner, you falsetto, you jazz singer! You, you, you! As the youngster is walking he notices music coming from a tree. He was voiced Joe Dougherty, the original voice of Porky Pig. Cut to Mama Owl as she listens to the police report on the radio. This was the first use of a trick Avery was to repeat and be noted for in later cartoons: breaking the bounds of reality to enhance the laughter. Finally out young hero gets to show what he can do.

Mama hears him singing on the radio and bring Papa and the children to see him. They are looking through the window of the studio when young Owl notices them and freezes. Enough is too much! The film irises out to black, but the trophy remains outside. Young Owl opens the iris and grabs his prize before the cartoon officially ends. We see the beginnings of this new philosophy of cartoons here, for although the cartoon is supposedly built around the song, in actuality, the song itself becomes secondary to the story of young Owl Jolson and is used to explain his persona. Bert Lahr supplied the original voice of Papa Fritz, but Billy Bletcher replaced him in the final version.

During the cartoons they would smash Buddy over the head with a mallet. After Buddy was dropped by the studio and replaced by the Warners, he retired to Ojai, where he earned a living as a nut farmer, all the while plotting revenge against the Warners. This came to a head on the Anniversary Special where he tried to exact his revenge but was foiled in the attempt. For those interested, the cartoon is available in a beautiful digital Technicolor transfer as an extra in the three-disc Deluxe Edition of The Jazz Singer. Although there are several tunes that fit this category, most of them have been covered in the two previous articles of Animation Orchestration. But in the cartoon I Love to Singa it is performed by a little owl Owl Jolson who is born to sing jazz rather than the traditional classical music his father teaches.

A chorus of book characters come-to-life in the cartoon Sniffles and the Bookworm Chuck Jones — sings it. The climax of this mild version of Book Revue has Sniffles the mouse saving the shy, retiring bookworm from the Frankenstein monster merely by tripping him. I sang it in a competition with a quartet and we were fortunate enough to place second.

It devolved into the comic and trivial when Bugs Bunny sang it nonchalantly while bathing in a cooking pot in Hiawatha's Rabbit Hunt — Friz Freleng. A cartoon of the same name was also released in Produced by Hugh Harman and Rudolf Ising and animated by Friz Freling and Larry Martin, it takes place in a closed department store where a group of toys come to life and sing the title song. This cartoon is one of my all-time favorites. The rest of the obscure melodies in my memory were supplied by 35 years in Barbershop choruses and quartets.

Come to think of it, writing about these cartoons has made me want to watch them again. Want to join me? When the heyday of Warner Brothers cartoons ended in the s we were all pretty happy watching the reruns knowing that nothing would compare to the sheer brilliance of comic writing, plots and superb synchronization of sight and sound. And pretty much, nothing did until Stephen Spielberg presented The Animaniacs in The characters were all new, the situations much shorter and compiled into a variety-style cartoon show knitted together by the two Warner Brothers, Yakko and Wakko and the Warner Sister, Dot.

Yes, education. All of the characters in the cast are drawn with the same three dimensional, fluid motion techniques of the originals and this adds to their charm. Yakko Paulsen , as I mentioned is the wisenheimer, always quick with a joke, pun or witty remark. Wakko Harnell speaks with a Liverpuddlian accent and eats anything in sight but also comes up with many a clever quip. Dot MacNeille , though she prefers to appear sweet and cute she has an alter-ego title of Princess Angelina Contessa Louisa Francesca Banana Fanna Bobesca the Third keeps up with her hyperactive brothers and never misses a punchline.

Their faux-mob antics on a New York background are hilarious and push the envelope of ethnic comedy. Adding a vaudeville note to the cast are Rita the cat Peters and Runt the dog Welker , who always turn the dangerous situations they confront into a song opportunity. My Mom loved this cartoon the best. Once and only once did I see Pinky succeed in his quest; only to be disappointed in the power he acquired.

Slappy the Squirrel Stoner is a post-menopausal misanthropic survivor of the Golden Age of cartoons whose only friend is her nephew Skippy Ruegger. Whoever else is unfortunate enough to appear in her scenes gets the worst of the episode, no matter how big or bad they are. Lastly, there is the amorous couple, Flavio and Marita, two very funny hippos. It could be the sexy accents. I personally treasure the DVDs of the first four seasons on Animaniacs because I love every cartoon and it deserves to be in my collection. The only question is, where are the rest of them? Not only did Warner Brothers cartoons use the same popular pieces of music over and over in different situations, there were also cartoons in which dialogue was minimal to non-existent and took a backseat to the music.

The movements of the characters are beautifully choreographed to the music while simultaneously delivering the loony comedy. The second piece depicts a mother swan gliding along the water followed by her babies while a little black duck longs to join the family. After being thwarted several times he sees them being attacked by a vulture and saves them. Two cartoons in particular stand out as musicals in the Vaudeville or English Musical Hall Night styles. Both involve bookstores where everything comes to life after closing time. Hear Ye! Harburg, The Three Musketeers and various book characters sing the title song, written by Richard A. Whiting and Johnny Mercer in Ya sillies. Daffy is the promoter for his nephew, Sleepy Lagoon, and is desperately trying to get Porky Pig to hire him.

The music in this cartoon gives us an idea why women loved the sounds of Crosby, Frank Sinatra and the great crooners. Invariably he winds up singing whatever Bugs is playing, he goes out to Bugs and stops him. Frog gets to strut his stuff. The story involves a man who discovers a singing frog in the cornerstone of a building and thinks it will make him rich. But Michigan J. Frog will only sing for him. Just the mention of these songs from these various cartoons has the melodies playing in my head. I was amazed at how many actually had titles and authors. It seemed the deeper I researched the more I found and the memories came flooding back.

I actually wanted to re-view the cartoons and re-experience them with my new perspective in some cases I had to. I hope you will too. This prompted me to do some research and compile a spreadsheet of music used in various cartoons. The loony ghost inside sings the song with his own appropriate lyrics before driving Porky crazy. Then in , Friz Freleng had an alley cat sing it to Porky as a part of his nightly repertoire in Notes to You. Most famously, though, in it provides Daffy Duck with a fast-paced tap dance in Show Biz Bugs , also directed by Freleng. Unfortunately poor Daffy only hears crickets from the audience for his efforts. Porky is now kept awake by a different cat. Freleng used it first in as six of the nine lives of the alley cat in Notes to You sing it as a finale.

In the latter, Bugs Bunny is a major distraction to a practicing opera singer. Egghead would later evolve into Elmer Fudd. Three different directors chose this song. Freleng was first in with Yankee Doodle Daffy , where Daffy puts on an entire show to promote his nephew Sleepy Lagoon to a more than reluctant Porky Pig. Most recently, Michigan J.

Frog sings it in in One Froggy Evening , directed by Jones. The first is in in Rhapsody in Rivets , where Freleng has a construction crew playing the piece while building a skyscraper. Then, Friz does it again in with Rhapsody Rabbit. Bugs Bunny is a concert pianist trying to play it while being interrupted by a mouse in the piano. It appears twice in Next, Clampett used it for the assembly line aspect where the babies are physically riding on one in his Baby Bottleneck.

One Froggy Evening has Michigan J. Frog sing the song in under the direction of Jones. The same alley cat in Notes to You counts it as a part of his performance as does Sylvester in Back Alley Oproar Then again in , Jones includes it in Long Haired Hare. Frog sings it in One Froggy Evening , also for Jones. Every time this piece is played, someone is blown up. In , Clampett blows up Private Snafu in the U. Sam gets blown up.

McKimson was not to be outdone when Wile E. Coyote is blown up at a piano rigged for the Roadrunner in Rushing Roulette Jon McClenahan and Chris Brandt were co-directors of this cartoon. Of course, this is still a work in progress and these 10 pieces of music are only ones I have counted so far. I probably missed some. But there is one song that beats them all because it was sung in every cartoon my favorite Warner Brothers character starred in. With the coming of sound in the late s, the playing field for animation changed but little.

In order to get people in, especially during the Great Depression, theaters led off with a newsreel, a cartoon, a short, the first feature, and then the second feature. During this time, cartoons consisted of animation and little else. There was practically nothing in the way of plot, as characters like Mickey Mouse and Bosko paraded around with a bevy of animated tricks. Max Fleischer, head of Fleischer Studios and a subcontractor to Paramount for cartoons, came upon his first big star —Betty Boop — and give audiences a simplistic plot to go along with her. In Stopping the Show , she performed a vaudeville act consisting of impressions of popular singers of the day.

In Betty Boop, M. With the addition of Popeye the Sailor to the Fleischer Studio, more simple plots were added, all around the same theme: Popeye and Bluto are fighting over Olive Oyl. She was a Pre-Code baby, a symbol of the carefree days of Jazz Age flappers, and unique among female cartoon characters because she was a fully realized sexual woman. When the crackdown of the Code came in , Betty was greatly toned down and gradually lost her audience. In , Disney blazed the way with Flowers and Trees , the first Technicolor cartoon. But there was little in the way of a plot. The studio also produced a cartoon adaptation of The Three Little Pigs , a straightforward re-telling of the fairy tale, albeit one that contained, for the first time, actual characterization through posture and movement.

Yet, in the next few years, cartoons evolved little. Meanwhile, Warner Brothers subcontracted their cartoon to producer Leon Schlesinger. Although the Bosko cartoons are plotless, he was nevertheless a popular figure with Warners audiences. Left in the lurch, Schlesinger lured several animators from other studios and pushed his staff to create a new starring character. Freling gave Buddy a flapper girlfriend, Cookie, and a dog, Towser. Buddy went on to star in 27 cartoons over two years. Because his reception by audiences had always been lukewarm, it was decided to retire him in favor of another star: Beans the Cat, created by Freling. The important new hires were to make their mark, and with the promotion of another staff animator, would take Warner Brothers cartoons into the pop cultural stratosphere, leaving the competition behind.

He convinced Schlesinger to let him head his own production team and create cartoons the way he thought they should be made. Schlesinger, desperate to keep his contract with Warner Brothers, gave Avery what he wanted. It was credited as the cartoon that made Porky Pig a star. Also in , Avery created a human character he named Egghead. He was initially drawn with a bulbous nose, eccentric clothing, and egg-shaped head. He spoke like popular radio comedian Joe Penner and was voiced by mimic Danny Webb. By this time Blanc took over voicing the character. It was now up to Avery to see what he could do with the rabbit. The finished cartoon was A Wild Hare. Besides polishing the timing, Avery provided the rabbit with a new character, one of a New York-esque cool character in control of every situation and with even more of a Groucho smart aleck attitude.

Blanc, advised of the refining of the character, searched for a new voice, finally coming up with a combination Brooklyn-Bronx accent. It proved so successful that it became the permanent voice for Bugs. Carl W. Stalling arrived at the Schlesinger studio in While in his early 20s he conducted an orchestra that accompanied silent films at the Isis Movie house in Kansas City. Eventually he went with Disney to California and scored the Silly Symphonies series. In , he left to sign with Schlesinger, which gave him access to the vast Warner Brothers music library. Although his composing technique was rooted in the musical conventions of the Silent Era, Stalling was also an innovator.

Until his arrival at Warner Brothers, music was used strictly as background in cartoons. He also, in coordination with the above directors, developed the style of very rapid and tightly coordinated musical cues. These would be punctuated with either instrumental or recorded sound effects, contributed by the equally brilliant soundman Treg Brown. Stalling used all kinds of music for his compositions: folk, classical, jazz, even nursery rhymes.

Stalling knocked the lid completely off American animation and it would stay off for quite a while. Tashlin came originally to Schlesinger in as an animator after a short but acrimonious stay at Amadee J. He made an impression as a fast but accurate animator. In his free time he drew a comic strip that ran in the Los Angeles Times from to called Van Boring and was based on his former boss Van Beuren. Schlesinger asked for a cut from the money he received and Tashlin basically told him to go to hell and quit. When he returned to Schlesinger in as a director, he did so with a view to incorporating film technique into animation.

He did so by making Porky into an innocent chump, which perhaps reveals his dislike of the character. When she rudely turns him down, he walks away dejectedly. Petunia is alerted by her pet dog that something is going on and looks out the window as the dejected Porky walks away. She spots the candy, done with a fast iris close-up of the box and rushes out at breakneck speed to retrieve her would-be beau and, more importantly, his candy.

Tashlin uses a goodly number of frames to achieve a scene that takes about five seconds. The peripatetic Tashlin left in and returned once more in , making several Bugs Bunny features and three Private Snafu films. Clampett began with the studio in and was promoted to director in Serving under Avery for two years had a great influence on him and, along with Tashlin, Clampett re-designed Porky Pig and gave him the character that would last throughout later years. Nothing lasts forever. While Tashlin was in and out with the studio, Avery left for good in after an artistic dispute with Schlesinger. He landed at MGM, where he created some of the most memorable cartoons ever made. Tashlin returned in and left in to pursue a career in film proper. Carl Stalling remained with the studio until his retirement in , and Clampett left, against the advice of almost everyone, at his creative height in to pursue television.

But not a beat was missed as Jones, Freling, and Robert McKimson stepped in to keep the product rolling and of quality. But that is a subject for another article. Porky in Wackyland : Bob Clampett takes us through Dark, Darker, and Darkest Africa with Porky in search of the last of the Dodo birds and we witness his looney discoveries. Robinson and Peter Lorre. Duck Amuck : Chuck Jones breaks down the fourth wall completely in this short about Daffy and his problems with his animator. One Froggy Evening : A Chuck Jones masterpiece as a construction worker finds what he thinks will bring a fortune, but brings nothing but trouble. Michael Bond book. Animated, Rated PG, minutes.

Though the CGI animation is excellent, the movie is nowhere near as good as the first one in In this movie he does his ears, his nose and amazingly his teeth. Where does it say that making something more disgusting is funnier? At least we get some background. At the start, Uncle Pastuzo Gambon and Aunt Lucy Staunton , two Peruvian bears, are apparently vacationing in Argentina when they spot a small bear cub struggling in the rapids and clinging to a log. They save him and raise him as their own.

The rest of that story was told in episode one. Bird Walters and is a permanent fixture there with the whole population. Mademoiselle Dubois Alvarez depends on him for her breakfast on the run, another neighbor relies on him to remind him to get his keys before he locks himself out of his home, the trash man needs him to help study for his exams, etc. Everybody loves him except Mr. Aunt Lucy will be celebrating her th birthday a first for any bear, any species and Paddington wants to get her a special gift, which he finds at Mr.

However, the book is too expensive, so Paddington decides to get a job. His one and only day in the local barbershop is a complete disaster and the only really funny scene when Judge Gerald Biggleswade enters and demands he give him a haircut. This results in a reverse Mohawk which Paddington tries to patch up with marmalade. Paddington switches to window washer and almost makes enough money to buy the book.

The Browns attend and Paddington is invited up on stage to help push the button which will light up the amusement area. The pop-up book comes up in the discussion and Phoenix knows he must get it to find the Kozlova hidden treasure the book leads to clues at each site. Judge Biggleswade recognizes Paddington as the one who gave him a two-inch wide part up the back of his head and sends him to prison.

Paddington gets laundry duty at prison and though he uses four washing machines, a single red sock makes all the prison uniforms pink. At St. He winds up on his own when his three fellow inmates including Knuckles decide to hop a plane to leave the country. Paddington 2 has all the elements of fantasy except the hint of believability. Most of all, the star is a cuddly, well-mannered bear. I really must check with my niece, who read the Paddington books and thoroughly enjoyed them as a child. The best scene in the film and the only one with sensitivity is at the end. Coco By Steve Herte. Color, animated, Rated PG, minutes. After being dazzled by Book of Life and agog that a full length feature could be done completely on computer, I was eager to see another.

Like the previous film, the scenes in this one contained multiple layers of background scenery and lights which added incredible depth to a two-dimensional film. Like the movie Leap , the creators of Coco paid great attention to detail. The stunning ballet moves in the former were reflected by the close-up and accurate guitar fingering in the latter. Have you ever seen someone playing a musical instrument in a movie and were absolutely sure that person was not actually playing?

Not here. At first, the Spanish subtitles were a bit distracting, but the film was so good I eventually ignored them. Twelve-year-old Miguel Rivera Gonzalez loves music and worships his hero, Ernesto de la Cruz Bratt to the point of wanting to be like him. She even destroys the one guitar he has to keep him from joining the talent competition in Mariachi Square. A goofy, clumsy, hairless street dog Miguel named Dante bounces onto the ofrenda and starts eating the food.

At once, people know someone has broken into the mausoleum and Miguel thinks he will be arrested. But only Dante can see him. Together, they walk back to the extremely colorful Land of the Dead to find Imelda. Imelda is not happy to see Miguel and even less happy to learn that he wants to be a musician, since her husband left her with a daughter to raise alone. She gives him her blessing to return with the condition that he never play guitar again. But Miguel is determined. Upon arriving again at the mausoleum, he strums the guitar and returns to the Land of the Dead and evades Imelda and the family to seek out Ernesto. It is here Miguel learns that Hector is an accomplished musician who worked with Ernesto de la Cruz and the adventure really begins.

Ernesto gives a concert every Dia de los Muertos and the two find where he rehearses. Miguel enters a talent contest and does well but comes in second. The winning group, however agrees to smuggle him into the party. Ernesto is delighted to learn that he has a great, great grandson. Coco is a celebration of Mexican culture, respect for the deceased and mythology. We see many riotously colored Alebrije, or spirit guides, animals with horns and wings that normally would not be there. Imelda has a giant winged and horned cougar who does her bidding. It is light-hearted and sentimental, humorous and rebellious, a total joy. The music in general was a glorious fiesta of Mexican exuberant flare.

It made me laugh, it made me cry, the kids in the audience were rapt with attention, and even the adults reacted. Some applauded at the end. Thank you Pixar. Rating: 4 out of 5 martini glasses. Color, Animated, Rated PG, 89 minutes. It must have been much funnier in French. This feature takes place in the s. Felicie Milliner Fanning and Victor Wolff are orphans who grew up together and vowed to stay together, even in their attempts to escape the orphanage. Felicie, as her name suggests, is happy and lively and dreams of being a great ballerina. The disguise only fools Luteau until the chickens squawk, and the chase is on. Luteau is now chasing them on his motorcycle. The chase ends up at the railroad tracks where both children catch the freight train to Paris.

In Paris, Victor shows Felicie a postcard photo of the Academie de Ballet, and in her enthusiasm to see it Felicie tears it in half. Meanwhile, the Parisian pigeons are attacking Victor and he falls of the bridge onto a passing boat. Alone, Felicie wanders the streets of Paris until she stumbles upon the Academie, which is open because there is a performance on stage. But a guard Watson tries to take her to the police for trespassing and possibly stealing. Then she throws the music box out the window, breaking it.

Felicie is upset, but not discouraged. The next day on the same bridge, Felicie is practicing positions while Victor tries to get her attention. When he finally does, he repairs the music box and takes her to his job site, the workshop of Alexandre-Gustave Eiffel. The tremendous head of the Statue of Liberty is just beyond the gate and a tall scaffolding surrounds the incomplete body behind it. She is immediately attracted to him and it seems the reverse is true. But a wind picks up and sends him into a lamppost before entangling him in the rear of a horse and carriage. The loser must agree to never come back.

The build to the climax of this movie sees an awkward meeting between Rudolph and Victor on the Eiffel Tower, a chase scene up the Statue of Liberty, and a ballet dance-off between Felicie and Camille. The chase scene is problematic in its believability. Seriously, would you chase a young girl onto the crown of the Statue of Liberty the statue was nearly completed by the end of the movie wearing a full-length green velvet gown and heels?

Le Haut does. The beauty and only reality in this animated feature is the dancing itself. That and the spectacular musical soundtrack. The character depictions and the animation were superb, and the voice matching excellent. Is an entertaining film for both young and old some did applaud at the end and is good clean fun. The story flowed for an hour and twenty-nine minutes without dead space. Forget the anachronisms and remember the wisdom of a little black, ring-necked duck, and enjoy it. Or maybe get a hold of the original version. Rating: 2 out of 5 Martini glasses. Animated, Color, Rated PG, 91 minutes. When I saw The Nut Job back in I was totally drawn in by the animation, the characters and the writing.

This sequel was a must-see for me from the first trailer viewing. I still love the characters, I laughed often and I think I learned something from the animators. The people, on the other hand are hard, less detailed and stiffer drawn. This sequel starts where the first movie left off. Andie Squirrel Heigl is busy trying to teach the remaining chipmunks how to forage naturally.

She wants Surly to come back to the park and use his instincts and even turns down a huge Brazil nut when he proffers one to her. Likewise, President Trump, has been battling the lawmakers on the law changes. Therefore citizens that have lost loved ones from guns has been to meetings, protest, and voted for control, even one the victims ' parents Nicole Hockley said in one of the meets with President Trump " By listening to President Trump 's words I do feel he is committed to finding a way forward and he is committed to putting a plan together" she said. I don 't know what the content will be. It has also been stated that he at least wants to change the age limit and be stricter on background checks.

This issue is extremely difficult to resolve because the opposing sides are both very strong. Many people want guns banned because of the rising numbers of mass shootings, but on the other hand, Americans feel like they deserve the rights to own guns. Now that we have discussed the three important steps in gaining political equality starting with a group defining itself, the group challenge society, and the executive branch breaking the ice, you should have a better understanding about what minority groups have to go through in order to gain equality. Minorities and the groups. When Dahl first begins the book, on the very first page, he talks about a key point everyone should know.

The democratic form of government would not have worked, so a republic form of government was much needed. The whole ideal of the the Democratic Party is that that do care about how much money someone has, religion they follow, and arms. The often tend to help minorities, as well as groups that that are unpopular. Republicans on the other hand focus more on helping defensive issues, gaining profit, bringing more money for military, and fully support the police force.

My interest for FDR and presidents in general began at a young age, i loved FDR and my research for this essay opened my eyes to stuff I did not even know about him. FDR was elected to 3 terms, but not everybody knows why. He was so loved by the American people. Barno has also served time in the military himself as a lieutenant general. He claims that the countries current dependence on the all-volunteer military, allows us to rush into war without thinking about the consequences first.

This solution is useful but it is not useful enough because it targets sympathy from the people while he needs to target the president because the president can initiate a war without consent of the people or Congress. Although Giffords used advanced and well-developed diction, she was able to communicate clearly and unambiguously. Logos are also developed by citing facts and statistics. Giffords stamped those who voted against the bill as cowards.

She states the amount as a bold print to prove that she knows exactly how much was spent in the last election cycle. The aim of any elected politician is to improve society from it 's original state and to further protect it 's citizens with rules and regulations. The view of Jim Manley is, the NRA National Rifle Association is a powerful force that consists of four million members, who are very determined to get their way and that taking on the NRA can be political suicide. He thinks you have to think long and hard before enacting gun legislation, as it may be difficult. Rob Borbidge believes that it was worth him giving up his "political. Show More. The Fight Against Gun Control Words 7 Pages America has been set on ideals created centuries ago; focusing on freedom and fighting for the rights of many.

Read More. Constitution Predecessor Words 5 Pages Daniel Shays led over four thousand rebels in an armed protest to make his point known. Arguments Against Gun Control Words 6 Pages Overall comments Recently there have been many debates about gun control, this is because of the rise of gun violence in the US. Racist Advertising Should Be Banned Essay Words 6 Pages Trump has encouraged mainly his supporters to act out vocally and physically which is becoming increasingly concerning. Essay On Political Equality Words 4 Pages This issue is extremely difficult to resolve because the opposing sides are both very strong.

Coursey -- American Brigadier Remember The Titans: Similarities Between Winston Churchill And Herman Boone. FDB Mortgage, Inc. This status may perhaps not be chosen by many or for a long time. Leo swipes at Bugs Remember The Titans: Similarities Between Winston Churchill And Herman Boone his claws and only connects with the carrot Bugs holds out, slicing it neatly. The other is Battle Rosa Parks Civil Rights Movement the Stars. Not any longer. Example — From the perspective of a single day, including this day of dedication, the issues and questions Remember The Titans: Similarities Between Winston Churchill And Herman Boone our Remember The Titans: Similarities Between Winston Churchill And Herman Boone are many.