❤❤❤ Of Mice And Men Curleys Wife Quotes

Shortly after shooting Twin Peaks' pilot episode, David Lynch gave her of mice and men curleys wife quotes small but impressive part in Wild at Heartas a girl injured in Freuds Personality Theory In Lord Of The Flies car wreck, obsessed by the contents of her purse, opposite Nicolas Of mice and men curleys wife quotes and Laura Dern. In Twin Peaks he rewrote this entire scene and had me dance in the middle of the room for like three minutes. Sherilyn enjoys biking, swimming and of mice and men curleys wife quotes, and of course being a of mice and men curleys wife quotes "After I had my son, I found life much funnier and Personal Narrative Essay: Playing On The Big Hill. His band was of mice and men curleys wife quotes 'Art Quatro Trio'. She's like a broken china doll". Of Of mice and men curleys wife quotes and Men is a novella by John Steinbeck pros of being a vegetarian, which tells the story of George and Lennie, two displaced of mice and men curleys wife quotes workers in California during the Great Depression — I just tried to play the of mice and men curleys wife quotes of the of mice and men curleys wife quotes. Crooks replies that

Curley's wife quote analysis

I try to be tactful, but I can't not say what I feel. I have a really big problem with that. They wanted many scenes of her when she was very overweight. I said, "I'm not doing that. I'll do one. That's not this woman's life". For me it was just, I didn't want to make an impression. I just tried to play the truth of the woman. Not the legend, not the stories that we hear about her. Because even when she was a child, you were seeing a version of her that was manipulated by the studios, so you didn't really see her. I thought the closest she ever came to revealing herself was Who's Afraid of Virginia Woolf? It was cathartic for her to do that in a lot of ways, to let herself be that wild. So I went home and dressed up my Barbie like her character.

I borrowed one of my brother's little toy plastic football helmets and I made Barbie a "Kansas City Bomber" outfit. Because a part of him is really so sweet and pure and innocent. He'd tell me my take was "Jim-dandy", or "Doggone it, Sherilyn, that was cool". His direction is abstract. He doesn't ever say "Go do this" or "Go do that". He'll just tell you some weird story, or when I did Wild at Heart David's direction was, "Only think of this: bobby pins, lipstick, wallet, comb, that's it". He's very creative and unafraid of taking chances. We'd sit down and, "Oh, I don't like this scene". In Twin Peaks he rewrote this entire scene and had me dance in the middle of the room for like three minutes. Just keeeep moving".

I was like, "Oh, okay. I feel like an idiot. What am I doing? Then you see it and with the music, he's set this whole world up, this whole mood. I really respect him, he's wonderful. She was this Brooklyn girl who didn't have a whole lot of class, she'd come right out and say what she wanted. And she ended up leaving Hollywood when she was 26 because all of that had transpired. She was fun, she was just who she was and she got badly criticized for that. When she arrived out here she was like the Madonna of the Twenties: people started dressing like her and doing their hair like her and the whole bit.

But then the studios did what they do even now, they started making formula movies - the It girl pictures and never allowed her to do anything else. What they meant when they said that was that I don't go to parties, and when I go to an audition and I don't like the script, they know it. I don't flirt and I don't play the people that I'm meeting with. In the next breath, this person said to me, "When you're passionate about a role, there's nobody that can touch you, but you have to learn to do this also.

I got into acting by a complete fluke. I was 17 and it was like, "I don't wanna go to high school, what will I do? I don't know. Let's see. I'll act! She has brought out a side of me that's more mischievous and fun that I had suppressed, trying to be an adult. She has made it okay to use the power one has as a woman to be manipulative, to be precocious. She goes after what she wants vehemently and she takes it. I think that's really admirable. I love that about her. But the people who've seen the pictures have said, "That's it?! It's an actor pictorial; people who want to see girls spreading their legs and doing kind of crude things are gonna go to the centerfold, they're not gonna look at an actor's pictorial.

Well, they can look but they're not gonna get what they want. The pictures are really beautiful, but they just make people look at you in a certain way. The saddle shoes are part of that - Audrey knows she can be daddy's little girl in her saddle shoes, and she puts on her red pumps, smokes cigarettes and sashays down the hall. Maybe it's not her personality so much as the need not to be daddy's little girl. But who could play her, you know? You can't do it right out, you can't do her story without letting yourself in for all kinds of criticism.

Candy Cane is like a lot of women were in the '60s when Monroe was a star and a role model. She comes from a small town, she's in a bad relationship, but she's fighting to get out of it, to change, and she enters this fantasy land. She has the bleached blond hair like many women had at that time and she thinks it would be fun to be like Monroe.

So she follows the fantasy in her own small way and she finds out, guess what, that glamorous life stinks! She sets herself up to be abused and destroyed like Monroe was. Night, day. It's a really huge difference. It's completely different to work with a woman that is my age, maybe younger. David's encouraged her, through his example of exploring dark places within oneself, but she's less abstract. I was blown away by the script of Boxing Helena I had heard all the stories and I didn't want to read it. Then my agent said, "It's a dream. Just read it. It's pretty interesting". I was shocked that a year-old girl had that perspective on relationships, that understanding.

Then I met with her and we just clicked. Because we didn't really meet - just one or twice, very briefly - on the set of Twin Peaks But when I first read it, I was scared of it. Part of me was, like, "It's so unattractive! Does she have to vomit on herself? Does she then have to fall in it? God, what's going on here?! And what's admirable about Billie is that she's a straight shooter. She doesn't have a lot of pretense. It's like, "Take me as I am. You like me, fine! You don't, I don't give a damn!

Billie is learning about herself. She's recognized that she has a problem with drugs and alcohol, and she's trying to straighten it out. So when I read the screenplay I just cried my eyes out. I couldn't believe - it was just a beautiful story. When I met with Gary Sinise , he just said, "You know, she's always played - and she was written - as this horrible vamp". And he didn't want her to be that way. He said, "I see her as a sad angel, and lonely". She just wants attention, she wants to be loved, she wants people to talk to her: "What's the matter with you? Why can't you talk to me? He actually added a scene that was never written where she's crying because Curley broke all her records.

The only thing she has in life is her little records. So that was a wonderful experience for me, making something like that. I needed rent money and they were paying more to stand at the gift shop than I'd have got working at a clothing store. And I thought the costumes were cute. Then I met this lady that was really neat, and she cut my hair once; so then I wanted to cut hair! But by far my biggest dream when I was young was to have the perfect home and the picket fence, and babies crawling around, and I'd be cooking food in the kitchen. But I don't like being up in front of tons of people. I didn't have that in me to do it, the desire to be performing in front of a lot of people. If there's a lot of people on a set, I get nervous.

So music just wasn't something I ever seriously considered. I said 'Cut! Aren't you concerned about that? I don't want to worry about that because worrying is not going to make it happen or not happen". I want to trust that if it does, then that's what's supposed to happen and if it doesn't get picked up, then that's okay, too. It's just a more peaceful way to live. Right now, in my life, I'm really striving for peace and more of a calm outlook. All my scenes were with Matthew, basically, so it was fun. I like the show. I was happy to be a part of it. I think it was an almost impossible story to tell. Although it has some flaws, I think it's neat. I think it's a really neat story; it's a beautiful story.

But underneath there's a lot of dirt and a lot of sadness and deprivation. Two girls in plaid skirts and sweaters, smoking cigarettes and talking about murder in the girl's bathroom! That's my kind of movie; I loved it! I wouldn't pay to see them, they don't touch me or move me in any way. I don't go to parties and all that. I don't think being seen or being in the right place is going to make me a better actress. I care about my work and try to do what's right in my heart. People who think they know me would be surprised that my whole life doesn't revolve around sex. That hurts my feelings, but at the end of the day I have to live with me and respect myself. And I've done enough things in my life where I was confused and didn't respect myself that I will not do it any more.

He thought Audrey was too young for Dale; and then they brought in an even younger girl! I think Kyle blew it, because Dale and Audrey were so great together. I said, "No! Of course not! But Audrey's in love with Dale Cooper! She's a sex kitten". And they don't sit with you in a room. I spent a lot of time being sort of angry and bitter about that, and now I feel it's people's loss. It's sad. You'd think in a business with so much creativity, people would go beyond what they've heard or what they think they know about somebody, and meet with them. But if they don't, it's not meant to be, in a way. The doors that are open are the doors we walk through. All are one and yet here we appear to be separate and therefore truth has many faces.

And they are all relevant. I'm contemplating moving to London for a period of time. I've been in Los Angeles for 15 years and I'm really tired of it. I'm continually uninspired by what's being sent to me. Even by huge films that they're doing there. They're just awful. The difference between working with a man and a woman I don't get considered for a lot of those big fat movies. The studios have their list of five actresses and whether they're right or wrong for a role doesn't matter. It's how much money their last movie made, Not that I necessarily want to do them anyway. Because there's very few that are big budget that have any substance or any depth or any integrity. I was disillusioned with acting after the pilot of Twin Peaks. I'd been doing low-budget films.

I didn't want to walk through movies being a pretty ornament. At 25 I didn't know if I had it. I questioned if there was depth, if there was integrity to me. One of the most challenged books of the 20th and 21st centuries and a frequent target of censors, who criticized it for bad language, note The far-right Reform Party of Canada attempted to have it banned in public schools in the city of Winnipeg in ; nothing came of the effort. However, it remains very popular and is a widely used School Study Media.

It has also had several film adaptations, including theatrical releases in and and made-for-TV versions in and Community Showcase More. Follow TV Tropes. You need to login to do this. Get Known if you don't have an account.